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Mousse Contemporary Art Magazine

Contemporary Art Magazine and Publishing House
Mousse Magazine and Publishing
  1. The two Hamburg artists Jakob Spengemann and Akinori Tao convert apparent voids into explicit statements. In their exhibition “While We’re Gone,” conceived especially for the Kunsthaus, aspects of place and time play a vital role. Visitors enter a site that has evidently been abandoned in the process of being remodelled. It is only a moment later that
  2. In Collezione Maramotti’s Pattern Room, Turin-based painter Manuele Cerutti is presenting “QUEM GENUIT ADORAVIT,” a new group of paintings and works on paper developed specifically for this original project. Drawing inspiration from simple, yet intense personal experiences—fatherhood, and the first few years of his son’s life—Cerutti depicts the generation of an entity that unexpectedly takes
  3. Coming from differing vantage points and mediums, both artists employ gesture and abstraction within their practices. Murillo chooses the social over the subjective and the collective over the individual, while Matić’s practice is often grounded in the personal. Murillo’s works, and even titles, often reference the act of sending messages or of recording, intercepting, and
  4. “What I have tried to do is to create a fiction that steps out of the text, a fiction that operates outside of the framework within which fictions usually operate.”—Philippe Thomas, 1995 Considering his extensive body of work, it is not surprising that Philippe Thomas (1951–95) came to art by way of literature and philosophy. Influenced