Mousse Contemporary Art Magazine
Contemporary Art Magazine and Publishing House
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Merlin Carpenter “Warning Signs” at Karma International, Zurich
1. Updating my painting. In the early 2000s, my work had an element of “anti-painting,” a don’t care, semi-finished look. By the time of my POLICE show in 2013, I felt this had become rather decorative. Especially because some young artists were doing full-on painting by then, as a misunderstood version of anti-painting. So recently -
KOO JEONG A “KANGSE X” at Hauser & Wirth, Zurich
The exhibition, titled KANGSE X, is derived from the Korean term KANGSE (meaning spatial strength) and is an extension of KOO JEONG A’s previous exhibition ODORAMA CITIES, presented at the Korean Pavilion for the 60th Venice Biennale, which originated from the artitst’s animation MYSTERIOUSSS (2017). KOO’s multifaceted practice encompasses drawing, painting, sculpture, installation, film, animation, -
Michaela Eichwald “MÄR” at Maureen Paley, London
Maureen Paley is pleased to present, MÄR, our third exhibition by Michaela Eichwald, held across both the gallery at 60 Three Colts Lane and Studio M. Rather than pursuing a formal fine arts education, she studied philosophy, history, and art history in Cologne, developing her approach through close engagement with peers including Michael Krebber, Cosima -
Bodies in Motion, Bodies at Rest: Ali Cherri in Conversation with Kaelen Wilson-Goldie
This conversation between Ali Cherri and Kaelen Wilson-Goldie marks the second iteration of the collaboration between TextWork by Fondation Pernod Ricard and Mousse. The series comprises in-depth dialogues between artists from the TextWork program and contributors to the magazine, expanding on the traditional format of the interview. It will unfold until 2027. For more than